The FX2 features a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor, and with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

The camera is equipped with Dual Base ISO for S-Log 3 of 800 and 4000, enabling optimal image quality across varied lighting conditions. The camera also supports multiple recording formats for flexible post-production workflows and records in 4:2:2 10-bit All-Intra and supports formats like XAVC S-I DCI 4K at 24.00p, among others.

The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion).  It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes and the ability to import up to 16 user LUTs for on-camera preview for video.

Its new Real-time Recognition AF delivers fast and reliable performance, with improved accuracy for human subjects, animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, the camera includes tools Dynamic Active Mode stabilisation, Focus Breathing, Auto Framing and Framing Stabiliser functionality giving creators the flexibility to fine-tune focus for expressive, cinematic imagery.

From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimised for colour grading in post-production2.

Key Features

33MP Full-frame back-illuminated CMOS sensor with AI-based real-time auto focus.

Dual Base ISO (800/4000), and a 15+ stop for a wide latitude.

Up to QFHD 4K 60p (S35mm), 4:2:2 10bit recording.

S-Cinetone cinematic imagery with the ability to import up to 16 LUTS in camera.

Internal cooling fan and effective heat dissipation for up to 13 hours of continuous recording in 4K 60p.

1.For stills. Max 27.6 megapixels for movie
2.Blackmagic Design’s DaVinci Resolve will support this model’s still RAW format (Sony ARW) this year.